L'image montre un archet de contrebasse allemand avec une grenouille en composite, combinant des matériaux traditionnels et modernes pour offrir une meilleure performance et durabilité. Cet archet est conçu pour fournir une excellente maniabilité et une réponse précise, idéal pour les contrebassistes recherchant un instrument de haute qualité avec des innovations technologiques.

German Double Bass Bow, Composites Frog, Naturbow®

Name: German Double Bass Bow, Composites Frog, Naturbow®
Brand: Carbow
Price: 1500 EUR
Availability: InStock

1500,00 €

Weight = 134 to 140 grs
Stick length = 74cm
Hair length = 55cm
Barre Phillips composites frog mounted with Abalone, made by Paulus GmbH

Ref : GB-Natur

A more in depth look

Developed with the double bass player Barre Phillips, the frog is finer and smaller than our usual Pfretzschner-style frog. It is very pleasant to hold and despite its thinness, its strength lies in full composites material. Mounted on a stick more flexible than our previous models, this elegant frog becomes very effective.

Testimonial

I’ve been playing my Carbow bow exclusively since the first day I received it, in 1998. Why ? The feel of the bow on the string as I pull it across the strings that I am in complete control the sound I’m making, and with ease. It has greater dynamic range than my older wood bows (Pfretzschner,Dölling, Hoyer,…) all the while being very easy, mechanically, to play. But the biggest reason I have switched to Carbow is the col legno bowing effect. I started using col legno bowing quite extensively in the early 1990’s. The double-bass is a superb percussion instrument. From the beginning I opted to not use special beaters, but a regular bass bow. The result was never satisfactory.The bow had to do both jobs – percussive effects using the stick and “straight” melodic & rhythmic execution. Until Carbow came along I was always drawn between damaging an excellent wood bow or having to accept an inferior result from a cheap wooden bow. The Carbow does it all, and to perfection. Some years ago I spent time working with the Carbow technicians to see if it was possible to create a frog that had the shape and weight of my Pfretschner, with which I was the most comfortable of all my bows. The result is this bow, an extremely comfortable, easy to play bow that does everything I ask it to and has actually taught me some tricks for spiccato playing.

— Barre Phillips

After having spent some time playing your bow the very good first impression intensified. Almost immediately, I was able to play some things I tried for a long time and never achieved. The bow feels so balanced and easy to control. I realized that in the past I needed all my attention to not sound bad, with your bow I can concentrate on sounding good (or like I imagine to sound). So the revelation for me was that the bow allows me to shape the sound much more than I thought was possible. So many possibilities in dynamics and touch! I am very happy and must thank you for your work, craftsmanship and advice.

— Christian Walt